Stirring
Songs And Even A Little Dance At Our Latest Songwriting
Clinic!

Songs and talk about songs
dominated a very entertaining evening as Cream City Music opened it’s doors to
Phil Lee and special
guest Bill Camplin in a clinic hosted by John
Sieger. Joining the fun were Phil’s sideman, Tom Mason, who
dusted off a few of his own gems, Jason Klagstad, who added his stellar Strat
licks and Mike Sieger on bass and high harmony. The evening kicked off with
Phil’s ode to himself, “The Mighty King Of Love,’ and proceeded along the lines
of a classic Nashville
(where Phil and Tom live) song-pull. Bill Camplin, a folk hero here in
Wisconsin is
the owner of a vibrant tenor and extracts a deep, baritone-ish sound from his
Martin with his fingers. Sieger’s turns at the mic featured songs from his
classic band Semi-Twang (who have recently reunited) and some others that have
been covered by national artists. A little bit of music education was thrown in
near the middle of the night, with a brief discussion of the Nashville number system,
an invention of that city’s great session pickers that allows you to view a song
in 11 keys simultaneously
and also helps a writer step back and look at any song in a more detached manner. As informative as that was,
it was obvious after about five minutes, that the crowd was there for
music and they got it. More songs
ensued, from happy to sad, fast to slow and when no more could be said,
the evening ended with a little song and dance on Phil’s “Les
Debris Il Son Blanc.” (The Trash It I White!) Phil, Tom and John
resurrected a little known dance The Shadow Slide during the instrumental break. That took care of the
better part of two hours and, quite honestly, it felt like it could have gone all night.
If you are ever in the neighborhood when Cream City Music has a clinic, please stop in
and join us, you’ll be glad you
did.